Showing posts with label tUnE-YaRdS. Show all posts
Showing posts with label tUnE-YaRdS. Show all posts

12.21.2009

Best of 2009: Debut Albums

For the remainder of the year (save holidays and weekends, of course), we'll be sharing some additional lists of our favorites in music from 2009. To start things off, our list today consists of our favorite debut albums from the year. All of these are the artists' first full-lengths-- so we're not counting mixtapes or EPs, nor are we considering those who have recorded under another name previously (just for you, the reader's information).



8. jj n° 2, jj








[Previously on Animal Noises: Most Prolific Artists of the Decade: #1-10]

8.20.2009

Album Review: tUnE-YaRdS

Album: BiRd-BrAiNs
Artist: tUnE-YaRdS
Label: Marriage Records
Out: July 2008/March 2009/August 18th

We'll end the non-immediate offerings of Reviews Week with something very related to yesterday's post. Tune-Yards, aka Merrill Garbus, who we spoke of at-length yesterday, released a fantastic record last July, then again in March via Marriage Records and then once more this week, via 4AD. Bird-Brains, which I will consider as released this year for the sake of any end-of-year consideration, is much of the same buffet of sound I touched on with Sister Suvi yesterday. The real difference is that here, it's simply Garbus, by herself, with nothing but some computer software, random instruments and a handheld microphone. The result is lo-fi bliss, and an impressive year in news for an album constructed by Garbus all by her lonesome.

Without the aid of a full band, one might expect Bird-Brains to sound sparse, or at least have a sound reflective of a solo recording effort. On the contrary, the album is a pleasant, and at times, stunning surprise, producing waves of sounds coming at you in the form of awkward timing and crashing cymbals. As I've mentioned on this site before, this is most apparent on "Sunlight," the collection's most active, standout and hectic piece. Though immersed in an album full of noise, it manages to stand above the rest, perhaps bouncing higher, and careening off the walls just a tad longer than the rest. The bevy of sounds here, and everywhere else, give off an appearance of having been run through several subwoofers for effect, yet it only amplifies how strong each is musically.

Style-wise, this, similar to Sister Suvi, also jumps around quite a lot. As I had said, Garbus was a large influence, thus that makes sense. The skips from shocking noise pop to bits of hip hop to tribal folk are frequent and unrelenting. I think I just referred to it as "alternative" on my computer, because I've still yet to figure out the correct genre (I keep everything confined to just 30 different ones) to classify it. Oddly enough, though I, and so many others have offered rave reviews of this one, there are also those who have told me it is a tough act to listen to. Though not of that camp, I suppose I can understand the rift it may create for some. If one is interested in listening to a consistent sound, I can't say with any confidence that you'll enjoy Bird-Brains. Garbus is a pro, but as good as she is, there can be a few misses here and there. These are subtle however, and to me, take away little from the album's overall quality and purpose. I mean, how could you not love the freak-folk and barbershop quartet harmony mix on "News?" I couldn't tell you.

What Garbus succeeds at, perhaps better than anyone except maybe Animal Collective, is taking something that could potentially be a hard sell, or awkward, and turn it into music gold. Though this isn't always in the financial sense (though for AC, I'd say it is, lately), it does make for effective and enjoyable music which manages to exist off the beaten path. Admittedly, Tune-Yards can even exist outside of those fictional limitations set for this type of music, but the pure ability and range displayed here, as well as the ambition it takes to undertake this sort of project, allow for it to excel. Poor timing has a place in music, as do minor chords, and if used constructively, this is what you come out with. Once again, I commend the effort by Garbus, and I hope to hear a lot more from her in the future. If you're still looking for similarities after all of that, go check out Sister Suvi (obviously), Here We Go Magic and Bibio.

Rating: 7.5/10

Best Track: "Sunlight" (courtesy of Pitchfork)

7.08.2009

John's Track of the Week: "Sunlight"

Song: Sunlight
Artist: tUnE-YaRdS
Album: Bird-Brains
Year: 2009

If you pay attention to the haphazard noise long enough, chances are you'll get to the finely-crafted pop track underneath. tUnE-YaRdS' "Sunlight" jumps from hokey freak-folk tune, to electric pop power jam to garage rock, all in a matter of a few engaging, enjoyable minutes. The woman behind tUnE-YaRdS, Merrill Garbus, is what makes the track so intriguing though. Garbus' DIY method shines both here, and on the rest of debut album,
Bird-Brains. Nothing is over-produced, but rather flows naturally, as the artist does a fantastic job of pulling together her diverse and complex melodies into singular, cooperative entities.

The fact that Garbus is able to do all of this on her own isn't anything new or novel- tons of other artists are DIY-ers, and have been at it longer- but it's the aforementioned diversity that stands out to me. There's just so much going on, with sounds careening off the walls, drums bouncing to-and-fro and a trippy bass riff, that it's a wonder she brought it all together. I guess it's a testament to the quality of the artist we're dealing with here. For those who haven't heard tUnE-YaRdS at all, check out the mp3 below, courtesy of Stereogum, and please, give a listen to the album,
Bird-Brians. It's sure to be one of your favorites for this year.

tUnE-YaRdS- "Sunlight"